Unveiling Unforgettable Moments: George Benjamins Discarded Pop Records Shape His Latest Opera

Unveiling Unforgettable Moments: George Benjamin's Discarded Pop Records Shape His Latest Opera

2023-09-17 04:15:03

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‘I threw my pop records in the bin’: George Benjamin on his defining moments – and his latest opera

Renowned composer George Benjamin recently shared an anecdote about receiving a brown envelope in the mail that contained a libretto for a new opera. This envelope marked the beginning of a transformative collaboration with playwright Martin Crimp, resulting in Benjamin's critically acclaimed works such as "Into the Little Hill," "Written on Skin," and "Lessons in Love and Violence." Now, his latest opera, "Picture a day like this," premiered at Aix-en-Provence and is set to debut at the Royal Opera House. Delving into themes of loss and rebuilding after tragedy, the opera is a testament to Benjamin's unique ability to infuse contrast and symbolism into his music.

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‘On a quest to find a truly happy person’ … Marianne Crebassa in Picture a Day Like This at the Aix-en-Provence festival.
'On a quest to find a truly happy person’ ... Marianne Crebassa in Picture a Day Like This at the Aix-en-Provence festival. Photograph: Jean-Louis Fernandez

George Benjamin considers Martin Crimp's librettos as invaluable tools that guide him through the intricate landscape of his musical compositions. Benjamin respects the text so much that he refrains from making any alterations, relying on Crimp's words to provide necessary structure and focus.

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Acknowledging the demanding nature of composing, Benjamin isolates himself in his attic, dedicating his time solely to music. His partner, TV director Michael Waldman, understands and supports his solitary approach. Picture a day like this, with its seven distinct scenes and dreamlike logic, presented Benjamin with unique challenges that compelled him to juxtapose contrasting personalities and moods while maintaining a cohesive narrative. After working on the composition for 18 months, the collaborative process of rehearsals with singers, directors, designers, and musicians is a joy for Benjamin.

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Barbara Hannigan in Written on Skin at the Royal Opera House in 2017.
Barbara Hannigan in Written on Skin at the Royal Opera House in 2017. Photograph: Tristram Kenton/The Guardian

Reflecting on his musical journey, Benjamin recalls the pivotal moments that solidified his passion for classical music. A childhood encounter with Disney's Fantasia sparked his love for the genre, leading him to discard his pop records and commit fully to classical compositions. Later, a fortuitous meeting with French composer Olivier Messiaen opened doors for Benjamin, culminating in a year-long mentorship that shaped his artistic development.

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Committed to preserving the future of classical music, Benjamin expresses concern over the government's disregard for music education and funding for opera and classical arts. He highlights the example of the London Sinfonietta, one of Europe's premier contemporary music groups, which has suffered a significant reduction in funding compared to its counterparts in France and Germany. Benjamin emphasizes the importance of maintaining a nurturing environment for classical music in Britain to prevent a potential decline in its creative output.

Composer George Benjamin prepares the score to a new work for conducting. London. Photograph by David Levene 28/3/23
'Like an electric current': Benjamin gets to work. Photograph: David Levene/The Guardian

Benjamin's dedication to his craft and his unwavering belief in the power of music perpetuate the legacy of classical composition. He emphasizes the need for technical skill, meticulous attention to detail, and the ability to imagine and bring to life every aspect of a composition. For Benjamin, being a composer is both a craft and a calling.

  • Picture a day like this is showing at the Linbury theatre, Royal Opera House, London, from 22 September to 10 October.

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